“The Asia Series” by Bob Dylan at the Gagosian Gallery in New York

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Bob Dylan: The Asia Series - Gagosian Gallery

What a difference five or six days make. In a certain sense, at least. I visited the Gagosian Gallery on Madison Avenue in New York City last Saturday afternoon, with two companions, to view the exhibition of Bob Dylan’s “Asia Series,” which was described in a press release as “a visual journal of his travels in Japan, China, Vietnam and Korea.” I’m not an expert on the visual arts, nor someone who invests any significant amount of either passion or money into that area, but as I wrote when the exhibition was announced, I thought (as a long-time dedicated fan of Bob Dylan) that it would be real nice to have this opportunity to see some of his much-talked-about artwork up close and personal, the way it’s meant to be seen. Pictures on the internet or in a book only go so far. A painting is what it is based not only on the pure image but on qualities like texture and size which you can only appreciate when you’re right in front of it (I’m no expert but I’ve been in enough museums to at least know that much).

So we went to see Bob Dylan’s paintings last Saturday afternoon. I’ve been meaning to write a little on it ever since, but I didn’t really have much of significance to say; other than that, yes it really was nice to see some of his artwork up close and personal. So I was putting it off for an idle moment which wasn’t in a hurry to arrive.

In the last couple of days, however, a huge brou-ha-ha has developed over this exhibition, as explained in this Daily Mail story and countless others. The gist of it is that quite a few of these paintings are not of unique scenes that Mr. Dylan encountered during his concert tours in Asia, but are in fact based on old and classic photographs taken by some quite well-known photographers. (And not loosely-based either.) It seems perhaps to have set off the firestorm which previous allegations of plagiarism against Bob were merely kindling. But that remains to be seen. Certainly, it has to be deeply embarrassing for the gallery which characterized the work as something which it simply is not; i.e., a personal travelogue by Bob Dylan. Continue reading ““The Asia Series” by Bob Dylan at the Gagosian Gallery in New York”

Bob Dylan and “Forgetful Heart”

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Just thought I would mention it while it’s on my mind: I do think that “Forgetful Heart” (from Together Through Life) is one of the great latter-day Bob Dylan songs. And the live version of “Forgetful Heart” which Bob Dylan has been performing on recent tours, with Donnie Herron playing viola and Dylan singing center-stage, is one of the most beautiful, deeply resonant and spine-tingling things to ever occur during a Bob Dylan show, in this decade or any other. Continue reading “Bob Dylan and “Forgetful Heart””

Bob Dylan at Gagosian Gallery in New York (2011)

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UPDATE: For the post I wrote following my visit to the exhibition (and the eruption of the plagiarism controversy) click here: The Asia Series by Bob Dylan at the Gagosian Gallery.

The following was written soon after the exhibition was first announced:

It’s a little surprising, when you think about it, that this will be Bob Dylan’s first exhibition in New York since he broke out as a mover and shaker in the visual arts with his “Drawn Blank Series” exhibition in Germany’s Kunstsammlungen Chemnitz in 2007. But all things come to those who wait.

Bob Dylan Asia Series Gagosian Gallery New YorkThe Bob Dylan “Asia Series,” consisting of 18 drawings and paintings—apparently with a focus on subjects he found during his Asian tours of 2009 and 2010—will be on show at New York City’s Gagosian Gallery from September 20th through October 22nd, 2011. There will be a catalog including an “interview with John Elderfield and Bob Dylan.” (John Elderfield is a leading art historian and curator who has been associated with at least one previous Bob Dylan exhibition.) Continue reading “Bob Dylan at Gagosian Gallery in New York (2011)”

“Senor” – Dierks Bentley sings Bob Dylan; thoughts on Street Legal

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Thanks to Bob Cohen for referring me to Dierks Bentley and his bluegrassy version of Bob Dylan’s song “Senor.” I hadn’t heard it; it’s very fine, and Bentley seems to be an estimable musician in general. “Senor” is featured on his album Up on the Ridge.


Dierks Bentley singing “Senor”

Checking Dierks Bentley out on Amazon, I see that they classify him under “Today’s Country” and also under “Neotraditional Country.” Neotraditional. Sounds like an epithet someone like Keith Olbermann might sling at someone like Sarah Palin. I realize the practical utility of musical categories, especially in the computer age, but I always see the downside of them first, which is the way they can build walls and limit freedom of perception. After the revolution, everything will strictly alphabetical. Continue reading ““Senor” – Dierks Bentley sings Bob Dylan; thoughts on Street Legal

The Lost Notebooks of Hank Williams to be released in October

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UPDATE: Click to see my review of The Lost Notebooks of Hank Williams


Hank Williams sings “Lovesick Blues”

Looking back, the first blog post from Yours Truly on the Bob Dylan/Hank Williams project was on November 16th, 2007. It was one of several more, and now—proving that if you keep the pressure up results will surely one day come—it’s been announced that an album titled The Lost Notebooks of Hank Williams will be released on October 4th, 2011. It has been created from unfinished songs that Hank Williams left behind in a briefcase when he departed this Earth in 1953, at the tender but for him weary age of 29, and which same songs were at some point given to Bob Dylan to finish. Continue reading “The Lost Notebooks of Hank Williams to be released in October”

Bob Dylan in Tel Aviv

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In fairly typical if frustrating fashion, Bob Dylan seems to have treated his gig today in Israel like any other gig, not playing any special songs (e.g. “Neighborhood Bully”) or making any big pronouncements. (I think Bob believes all his songs are special.) The most amazing thing about the set list is that it is identical to the one from his show in England a couple of days ago. When was the last time Dylan played two consecutive shows with exactly the same set list? For the record this is what he played in Ramat Gan stadium today: Continue reading “Bob Dylan in Tel Aviv”

Rickie Lee Jones on Dylan, Israel, and Boycotts

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Bob Dylan’s concert in Tel Aviv is scheduled for tomorrow night in Ramat Gan stadium. Today the Jerusalem Post has some quotes from two artists who are opening for Dylan: Asaf Avidan and Rickie Lee Jones. Both say nice things about Dylan and their anticipation of the show. (And, contrary to early reports, and just as I thought, Rickie Lee Jones is not scheduled to sing with Dylan and his band; although she indicates she’d be glad to do so if asked.) Continue reading “Rickie Lee Jones on Dylan, Israel, and Boycotts”

I Dreamed I Saw St. Augustine

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Bob Dylan’s newest concert tour kicked off yesterday in the Emerald Isle. The set list from his show in County Cork isn’t a violent departure from recent tours, but features one song that is not heard all that often: “I Dreamed I Saw St. Augustine,” from the album John Wesley Harding. Curiously enough, the last time he played it was apparently in Dublin, Ireland, in 2005 (according to His Bobness Info).

There are no live versions by Bob extant on YouTube, but I did just listen to this cover version by a duo calling themselves “Two Travellers at Midnight” that I think is rather nice indeed. Nothing radical, but they’re feeling it.

It’s a remarkable song.

I dreamed I saw St. Augustine
Alive as you or me
Tearing through these quarters
In the utmost misery
With a blanket underneath his arm
And a coat of solid gold
Searching for the very souls
Whom already have been sold

Addendum: I neglected to note that because there was no “Blowin’ in the Wind” or “Times They Are-A-Changin'” in the set list, it must be presumed that the Irish government, like the Chinese, censored Dylan in order to prevent his fierce protest songs from igniting the fury of the masses. And again, Dylan has capitulated! What can you say? He just hasn’t been the same since ’64.


A “New” Bob Dylan song from Nikki Jean

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I just heard this myself today, although it’s been out there at least a week. There’s a young artist named Nikki Jean who is coming out with an album named Pennies in a Jar. To launch her with a bang, the record company had her co-write songs with a variety of big name songwriters. According to Entertainment Weekly, she was sent an unfinished Bob Dylan song from his Shot of Love era (around 1981), and given permission to finish it. The result is a song called “Steel & Feathers (Don’t Ever)” and it’s really rather nice, and you can listen to it via YouTube below. Continue reading “A “New” Bob Dylan song from Nikki Jean”

Bizarre alleged “interview” with Bob Dylan in The Hindu (Indian newspaper)

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Well, this doesn’t happen every day. One gets used to seeing Bob Dylan quoted badly out of context, or seeing “hearsay” quotes where some nameless person allegedly heard Dylan say something. But I don’t think I’ve ever seen a completely fabricated interview before. Yet, that’s what we appear to be dealing with today in The Hindu, an English-language newspaper in India. Link here, extracts below:

“Protests need not always come out on the streets or shooting with the gun,” says Bob Dylan, the folk icon, as he answers a long distance call from California. “I appreciate and admire the folklore of this glorious sub continent that has one of the richest cultural heritages.” Last month saw his first performance in China, where he was earlier forbidden or never invited. Continue reading “Bizarre alleged “interview” with Bob Dylan in The Hindu (Indian newspaper)”

Bob Dylan is 70 today (did you know?)

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Happy birthday to Bob Dylan, born May 24th, 1941.

I’m not big on birthdays, to be honest. What difference does it really make that on one day you are technically one age, and the next day you’re technically another age? You’re as young as you feel, and the older I get, the more it pleases me to think so.

There’s predictably been enormous hoopla over Bob Dylan turning 70, and at least 30 new books have been added to the groaning shelves of tomes analyzing, documenting and distorting his music and/or life. I should talk — I’ve written untold thousands of words around those topics, albeit in shorter forms.

It seems to me that the nicest thing to do on Bob Dylan’s 70th birthday is just to give him kudos for being out there in the way that he is, at his age. What peers or contemporaries of Dylan can do as he does — touring constantly, revisiting many of the same places year after year, playing sets that are top heavy with songs from the last decade or so, and filling those seats with fannies time after time? And not all aging 1960s types — not by a long shot. His shows have loads of people under 30, under 25, even under 20. Sure — you always hear complaints from some about him changing the songs, or being indecipherable, or whatever. I’ve been to enough of his shows to know that sometimes complaints can be justified. I hate the bad or too-loud sound at too many of the venues he plays. But the numbers don’t lie. On balance, the man delivers, and gets people to come back, while doing it completely on his own terms, and keeping it fresh for himself. This doesn’t happen in popular music, as a pretty good general rule. Dylan has achieved something that very few others have. Ever. And the older he gets, the more astounding it is.

It’s not the first time I’ve stopped to point to how amazing this is, but the pride he himself takes in this was evident in that unprecedented statement he made about his gigs in China. Maureen Dowd et al aside, he was obviously irritated by some things he had read about there being a lot of empty seats, and that the concerts were attended mostly by expatriate types. NO, he said. We almost sold out, the attendees were almost all Chinese, and, what’s more, they were young! I’m willing to buy Bob’s version, given the pile of distorted lies that the media gives us on any given day (and not only about Dylan). Bob may make up stories about shooting heroin and kicking it, but it’s my belief that he doesn’t lie about the important things. He deserves to be proud of his success as an entertainer, doing it in the way that he likes to do it and giving the customers what they obviously like at the same time. It’s a helluva thing.

Many more, Bob.

Bob Dylan heroin tapes: More media bullsh*t

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Happy birthday, Bob Dylan, from your friends in the world of “respectable journalism.”

A “never before heard interview” Bob Dylan did with biographer Robert Shelton is being touted as “a revelation,” and “extraordinary.” (Hear via the BBC at this link — and thanks very much to reader Jay for that.)

On the tapes, recorded in 1966, Dylan claims to have had a $25 dollar a day heroin habit at one time, and also claims to have kicked it. He also talks about how he would consider killing himself by shooting himself in the head or jumping out a window.

We are told that there is already a plan to make a film based on these tapes. Unbelievable!

There’s one small problem with this story: Continue reading “Bob Dylan heroin tapes: More media bullsh*t”

On China: Bob Dylan speaks

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Just when you think you’ve seen everything, the truly unbelievable happens. Bob Dylan has actually responded to a controversy that others ginned up about him! The statement on his website is titled: “To my fans and followers.”

I’ll copy some of it here, but I will pause to crow a little bit. Those of us who were extremely dubious that Dylan was in fact playing from a censored set list have been utterly vindicated. (Of-course some will argue Dylan is lying, but those will generally be people who are still on the hunt for Bin Laden.) He states that all he did in response to Chinese requests to know what he would play was send them “the set lists from the previous 3 months.” He received no instructions whatsoever about censoring songs: “and we played all the songs that we intended to play.” Continue reading “On China: Bob Dylan speaks”

Water Pouring Into Vicksburg

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The mighty Mississippi is once again asserting the full girth of her floodplain, with brutal disregard for what human beings have toiled on and built since the last time that occurred. The AP story today states that the worst is yet to come.

In Vicksburg, Miss., the site of a pivotal Civil War battle, William Jefferson was already paddling slowly down his street in a small boat, past his house and around his church. The river is not expected to crest until May 19.

“Half my life is still in there,” he said, pointing to the small white house swamped by several feet of water. “I hate to see it when I go back in.” Continue reading “Water Pouring Into Vicksburg”

Australia censors Bob Dylan

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Obviously the government censors everywhere have realized that Bob Dylan is an easy touch. We’ve been told by so many media outlets, from the New York Times on down, that the Chinese government ordered Dylan not to sing The Times They Are A-Changin’, Blowin’ in the Wind and other nameless “protest songs,” and that he just rolled over and complied. Since then, he has played Hong Kong (where the Ministry of Culture of mainland China does not hold sway), Singapore, and now Fremantle, Australia, and none of those songs have been performed at any of the gigs. He has continued a pattern of opening with Gonna Change My Way of Thinking, closing with Forever Young, and offering a varying mix of tunes from throughout his career in between. Continue reading “Australia censors Bob Dylan”

Happy Passover

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Passover begins today at sundown, and a very happy one is wished to all celebrating. Recently the venerable Bob Cohen sent me this link to a story by Louie Kemp on a Passover seder he shared with Bob Dylan and Marlon Brando. The story has been out there a while, but if you haven’t read it, I think you’d find it entertaining.

I will never forget the sight of our table in the synagogue, Marlon Brando was to my left and sitting next to him was his guest. This was during the height of Marlon’s involvement with Native American causes and he had brought with him noted Indian activist Dennis Banks of Wounded Knee fame. Banks was dressed in full Indian regalia: buckskin tassles on his clothes and long braids hanging down from a headband, which sported a feather. My childhood friend Bob Dylan sat to my right joined by his wife, my sister Sharon and other friends.

Addendum: And I see that Harold Lepidus has gathered together more Dylan/Passover related trivia at the Bob Dylan Examiner.

Bob Dylan in Ho Chi Minh City, Vietnam

Bob Dylan played yesterday, April 10th, in Ho Chi Minh City (formerly Saigon), Vietnam. He delivered a set list that was in keeping with the kinds of shows he’s been doing the last couple of years. Reportedly, the venue was “half-empty” (or, as one may prefer to think, half-full) but this didn’t prevent Bob from delivering a relatively rare second encore, with the song Forever Young. This is the full list of songs he played: Continue reading “Bob Dylan in Ho Chi Minh City, Vietnam”