Time, Prayer and God: Heschel

Heschel Quest for God

Man's Quest for God by Abraham Joshua Heschel
The following is one of those passages from Abraham Joshua Heschel—extraordinarily common in his writing—that is fascinating when considered as philosophy, penetrating when heard as theology, and quite moving and beautiful when simply read as poetry.

Common to all men who pray is the certainty that prayer is an act which makes the heart audible to God. Who would pour his most precious hopes into an abyss? […]

The passage of hours, almost unnoticeable, but leaving behind the feeling of loss or omission, is either an invitation to despair or a ladder to eternity. This little time in our hands melts away ere it can be formed. Before our eyes man and maid, spring and splendor, slide into oblivion. However, there are hours that perish and hours that join the everlasting. Prayer is a crucible in which time is cast in the likeness of the eternal. Man hands over his time to God in the secrecy of single words. When anointed by prayer, his thoughts and deeds do not sink into nothingness, but merge into the endless knowledge of an all-embracing God.

Those lines are from his book Man’s Quest For God.

Perhaps it’s something to do with aging, but I happen to be increasingly preoccupied with questions of time. Not so much the lack of it (which is very obvious and about which I can do nothing) but the nature of it, and in particular the difference between our time and God’s. It doesn’t matter that this is unknowable; if we ceased wondering about things which are unknowable I suppose that we would be very bored and very boring indeed. But you wonder—and I know that all humans, atheist, agnostic and devout, wonder this—why most seconds, minutes and moments just tick away like a great impersonal and unstoppable clock, and why there are other moments in our lives which may be incredibly brief on the clock but the duration and weight of which seem almost boundless to our experience. These moments can come in a wide variety of contexts, but I think they are often those moments in which we involuntarily shed tears, or at least are very deeply moved by something inexpressible. I think that we are certain, in such a moment, that what is happening matters a great deal, and that it will not simply pass on into the void but will somehow be remembered, and not only by ourselves. Are we wrong, or are we in such moments receiving a tiny glimpse of the eternal? Continue reading “Time, Prayer and God: Heschel”

(Sitting Out) God Bless America

God Bless America Irving Berlin

Irving Berlin, composer of God Bless America
There is an opinion
column by a Methodist minister named James P. Marsh in The Washington Post, titled “Why I Sit Out ‘God Bless America.'”

Explaining his discomfort with the song, he states:

I imagine that the God I believe in isn’t interested in dispensing special nationalistic blessings. (Or, perhaps more to the point, blessings for our bullpen, error-free fielding and sufficient run support.) When we ask for blessings to be bestowed only on “us,” we are in danger of seeing ourselves as set apart from the world. Faith is global, and one nation doesn’t get any more or less of God than any other.

Amazing.

It honestly never occurred to me that in praying for God’s blessing on America, I was praying that He not give his blessing to any other nation or people. What a strange way of perceiving prayer. There is nothing in the lyric of Irving Berlin’s “God Bless America” that condemns any other nation or people. By extension, if one prays to God to bless one’s own family, is it implicitly a prayer to God to curse everyone else’s family? Continue reading “(Sitting Out) God Bless America”

Among the Bravest

The Cinch Review

Memorial Day in the U.S. is a day to remember those who have fallen in the service of their country, but inevitably also reminds us of those who are risking everything in that service at the present moment. If one does not have a close relative or friend in the military, bearing such burdens, it’s easy to forget that those sacrifices continue to be made. The war in Afghanistan is winding down, right? Imagine how that sounds to someone about to get on a plane and leave his or her family for a tour of duty there, where the threat of attack by suicide bombers and what we could politely call “rogue Afghani security personnel” is more deadly than ever.

Deploying to a war zone is always an act of bravery in itself, but imagine the added challenge of doing it when the mission is so difficult to define. Oh, I have no doubt that those paid to do so have come up with catchphrases for it, both diplomatic and military, but in all honesty, what is it? It is at best something like this: “Complete the drawdown under fire while preserving as much dignity for the U.S. military as possible.” Is that an objective one is prepared to die for? The soldiers must have to reach deep down and see their mission on a broader level and remember somehow that what they’re doing is worthwhile and tell themselves that it contributes to a better future for their kids. But you’d surely like something more sturdy to cling to than an “orderly drawdown.” Continue reading “Among the Bravest”

Angels of Woolwich

Angels of Woolwich
The story coming out of the public, broad-daylight murder of a British soldier in the Woolwich section of London yesterday includes the actions of three ordinary English women who happened upon the scene: Ingrid Loyau-Kennett, who spoke to one of the killers in an effort to calm him and prevent more bloodshed, and a mother and daughter, Amanda and Gemini Donnelly-Martin, who cradled the body of the brutally butchered British soldier and prayed at his side. All of this took place while the police had yet to arrive. In the British press, they are already being called the “angels of Woolwich.”

So, there is a testimony of actions on May 22nd, 2013, on this street in Woolwich. It looks something like this: The two killers were driving in a car. They saw the soldier, who we now know to be Lee James Rigby. (Whether this was a chance encounter or a carefully planned one is yet to be established.) They swerved their car into him, pinning him against a road-sign or other obstacle. Now that he was injured and disabled, the two men got out of the car with their knives and proceeded to hack him to pieces while yelling “God is great.” That was their act of bravery and their statement of devotion to their god and their chosen culture. And they spent the rest of their time making sure that their pictures were taken and their voices recorded taking credit for what they did and why they did it. Continue reading “Angels of Woolwich”

Calon Lân / A Pure Heart

Calon Lan song

Calon Lan

Still pursuing a recent obsession with Welsh music, this American-of-Irish-extraction thought he would reflect a little on the beautiful song “Calon Lân” (generally translated to English as “A Pure Heart”). It’s a song that seems to be deeply embedded in the Welsh culture, to such an extent that you could easily believe it were a much older song than it is. It was first published in 1899, which isn’t yesterday, but is certainly modern times, only fifteen years before WWI.

The lyric was written by the Welsh poet Daniel James, also known by his Welsh poetic nickname, “Gwyrosydd.” It’s reported that he wrote the words as a prayer and then later asked the Welsh tunesmith John Hughes (known also for the great melody “Cwm Rhondda”) to put it to music, which he did, promptly creating a hymn of some sublime beauty and power. Its first appearance was in a Sunday School periodical, and it became widely beloved during what is known as “The Welsh Revival” of 1904-1905, a revival of Christianity which is credited with spurring similar awakenings far beyond the borders of Wales.

The song is also one of a number of great Welsh melodies which can be heard in the classic film, “How Green Was My Valley,” directed by John Ford, from 1941.

It’s the kind of a song where I think most anyone listening to it would find it affecting even with absolutely no idea of what the words mean. I can say at least that it certainly had me reaching for a hankie the first time I heard it, though I had no tangible notion of what it was about. Somehow just the sound of the singing of those syllables and that tune left no doubt that it represented something very profound. It seemed unlikely that it was a song about, say, scrambled eggs. It came across as a statement from deep within the human soul, full of emotion; it was clearly an extraordinarily deep declaration or plea.

Quite a lot of people heard “Calon Lân” for the first time in this way when it was performed on the TV show “Britain’s Got Talent” in 2012, by a choir of young Welsh lads known as “Only Boys Aloud.” It was one of those obviously choreographed but still likeable moments when people are unexpectedly wowed. The video is embedded via YouTube below (and then below that some more scribbling from me about the song). Continue reading “Calon Lân / A Pure Heart”

Oklahoma Tornado

The Cinch Review

Woman finds dog buried after tornado in OklahomaThe scenes of apocalyptic devastation after yesterday’s tornado outbreak in Oklahoma are heartbreaking and horrifying. Yet, so many of the victims, when spoken to amid the torn up debris of everything they owned, are themselves being incredibly inspirational, using their voices to thank God for their survival instead of cursing the fate that put their houses in the path of the tornado.

And a video that is no doubt being circulated around the world right this minute is the one below, of one elderly lady in the ripped-up town of Moore who describes taking shelter in her safest room, the bathroom, with her dog on her lap. The tornado hit and everything was blown to pieces. Somehow she survived, though her dog disappeared and she assumes it—or its body—is under the rubble. She is speaking bravely and matter-of-factly—even wryly—about all of this on camera to a TV reporter when that reporter apparently sees something move, and says, “The dog!” (It seems way too pat, of-course, but if this elderly lady is an actor then I’m the president of the United States.)

As she pulls her dog from the debris and he manages to stand up on his four legs, she whispers, “Thank you, God.” Then she tells the reporter and the watching world, “Well, I thought God just answered one prayer, ‘Let me be OK,’ but he answered both of them …” Continue reading “Oklahoma Tornado”

Steyn Does ABBA; Agnetha Tries a Comeback

The Cinch Review

Steyn does Abba and Agnetha tries comeback

Mark Steyn’s paean to Swedish supergroup Abba, and their great song “Waterloo,” is his typically hilarious combination of global politics, knowing-puns and kitschy references, and shouldn’t be missed. It is also in its way a sincere appreciation of the real talent they possessed. As he points out, “[F]rom the rubble of their marriages, they produced the aching harmonies of ‘One Of Us,’ as near as pop gets to the cry of pure pain. Underneath those sequinned leotards, Benny and Björn are two of the best pop writers of the last four decades.” Indeed.

Watch out for the special effects in the video embedded below; they are far more advanced than anything you see on TV these days, and might leave you in a state of mental disarray.

I must point out that Mark Steyn errs somewhat, however, in his characterization of what the beautiful blonde former singer of Abba is up to these days: “Agnetha,” says Steyn, “is riddled with insecurity and now lives as a recluse on a remote Swedish island riddled with in-house security.” I don’t know what her living situation is like, but recluses don’t do interviews and release new records, and Agnetha has done both recently. Below via YouTube is an interview she did last week for the BBC with none other than Welsh-wonder Cerys Matthews, which affords an entertaining glance back over her career.

I’m not persuaded that the new material she’s singing is even a patch on those old Benny/Björn songs, but then really, these days, what is?


…..

Dissembling for Dummies: A Lesson from Prime Minister Erdogan

The Cinch Review

Dissembling from Prime Minister ErdoganYesterday at the White House there was a press conference by President Obama and Prime Minister Erdogan of Turkey. Most of the focus going into it and coming out of it has been on the various Washington scandals currently erupting, but I don’t have anything unique to say about those. I did happen to watch the press conference, however, and it was a question directed to Prime Minister Erdogan, and more importantly his manner of answering, which caught my attention.

The question was from Juliana Goldman of Bloomberg News. After asking President Obama the scandal-questions of the day, she addressed Prime Minister Erdogan: “And also, Mr. Prime Minister, what is the status on efforts to normalize relations with Israel? And do you still plan to go to Gaza in the coming weeks?” (I’m using the AP transcript.)

A question, then, firstly about normalizing relations with Israel, and then about visiting the Gaza Strip. Erdogan’s complete answer was as follows:

In your question about Gaza, according to my plans, most probably I would be visiting Gaza in June. But it will not be a visit only to Gaza; I will also go to the West Bank.

I place a lot of significance on this visit in terms of peace in the Middle East, and this visit in no way means favoring one or the other. I’m hoping that that visit will contribute to unity in Palestine, first of all. This is something that I focus on very much. And I hope that my visit can contribute to that process. Thank you.

What’s interesting about this? First, although the question was about relations with Israel, in his answer he does not even use the word “Israel.” His statement that his visit to Gaza “in no way means favoring one or the other” might easily be taken—and likely was taken by many listening—to mean that he intends no favoritism of the Palestinians over the Israelis, but is that what he’s actually saying? I think not; he preceded that statement by pointing out that he will also visit the West Bank, i.e. not only the Gaza Strip. Gaza is ruled by Hamas; the West Bank is ruled by the Palestinian Authority, dominated by the Fatah party of Mahmoud Abbas. Erdogan hopes to “contribute to unity in Palestine” by visiting both places. He does not intend to show favoritism to Hamas by visiting Gaza only.

By completely ignoring the question about Israel, and not even using the word “Israel,” what importance would it be fair to say that Erdogan actually places on normalizing relations with Israel? Continue reading “Dissembling for Dummies: A Lesson from Prime Minister Erdogan”

“P.S. I Love You” – Frank Sinatra

Frank Sinatra PS I Love You

P.S. I Love You Frank Sinatra

We do not here discuss the Beatles song, “P.S I Love You” (composed by Lennon/McCartney, more McCartney), fine though it is. Fifteen years ago today, Frank Sinatra died, and it’s his version of the song “P.S. I Love You,” composed by Gordon Jenkins and Johnny Mercer, that is on my mind. It is to be found on his album Close To You (and that’s not the Burt Bacharach song, although Frank did ultimately record that tune in leaner times).

This “P.S. I Love You” was written in 1934, but it was in 1956 that Sinatra recorded it, on one of his most unusual and most superb albums. Sinatra worked on this album with a string quartet—Felix Slatkin’s Hollywood String Quartet—augmented here and there by a fifth instrumentalist. The resulting record is intimacy incarnate. Every note of every track declares that the effort is a labor of love. And indeed it wasn’t a big commercial success and remains relatively obscure.

“P.S. I Love You” is perfectly representative of the mood of wistfulness, sensitivity and yearning that Sinatra, arranger Nelson Riddle and the string quartet were apparently aiming for, and which they achieved in spades.

Sinatra’s voice was at an absolute peak when he recorded this album, and his vocal control and his expressiveness is breathtaking. He inhabits this song in the seemingly effortless manner that made him great; there is simply no space between the singer and the sentiment. And I love how that works in this particular song, because it gives us this delightful picture of the singer hanging out at loose ends, in a quiet little house in the country, wiling away the hours and the days so harmlessly while his beloved is off traveling somewhere. Yesterday there was some rain … the Browns came to call; please write to them when you can … I’m in bed each night by nine … the dishes are piled in the sink …. Who can imagine the Chairman of the Board living such a twee existence? And yet somehow there’s no imagination necessary when Sinatra sings all of this. Not a syllable of it can be doubted. His performance is so perfect that it ceases to seem like “performance” at all; it is simply straightforward expression, albeit on some sublime musical level. “And let me see … I guess that’s all.” Johnny Mercer’s faux-conversational lines were written long before Sinatra was on the scene, but here find their perfect home in Frank’s gentle, unassuming delivery.

It’s an understated masterpiece of popular music. And just one of the very substantial number of recorded masterpieces that Frank left to us. Today, I guess, is a good day to say “thank you” to him and, if it be your wont, to his Creator.



Kermit Gosnell, Philadelphia Mass Murderer, Gets Life in Prison

The Cinch Review

Kermit Gosnell gets life in prison
Abortionist Kermit Gosnell was convicted yesterday of the first degree murder of three infants, and involuntary manslaughter with regard to an adult patient who died in what was once called his “care.” Today, Gosnell gave up his right to appeal, and has been sentenced to life in prison.

It’s a story so horrific, so full of nauseating details, that the natural inclination is to turn one’s head away, and read the lighter news. And one of the reasons he got away with murder for so long was the inclination of so many to turn away, even the authorities with the responsibility for inspecting the clinic/abattoir in which he operated. Of-course there was politics involved in that too. His conviction is not a neat ending, but it may at least be hoped that it will strike terror into the hearts of other “doctors” behaving similarly, and that it will give inspiration and courage to whistle-blowers. There can be no joy in merely seeing this man’s punishment, knowing that he operated like this for so many years in what we like to think of as our civilized, enlightened society. He believed there was nothing wrong with snipping the necks of living babies. After all, the mothers had come to him for abortions, and a living baby would be an unsatisfactory and unprofitable result. Not only was there no one to correct him in this perception, but those who worked with him, far from objecting, simply followed his lead. They didn’t exist in some kind of vacuum in that clinic in Philadelphia. They left each day, went home, watched TV, read the papers, socialized, came back the next day and did it again. These were not the crimes of just one sick doctor, but the concrete results of a sickness in our society. And we are far from seeing the final results of that sickness. Continue reading “Kermit Gosnell, Philadelphia Mass Murderer, Gets Life in Prison”

“The Next Day” – David Bowie Video Controversy

The Cinch Review

David Bowie video The Next Day
The video for David Bowie’s new single, “The Next Day,” has aroused considerable controversy due to its portrayal of Roman Catholic clergy-folk in a rather negative light, associating them with decadence, perversion, meanness, and sundry ills. The video also features some degree of “explicitness,” and climaxes (if you will) with one of the featured young ladies spewing great quantities of blood from holes in the palms of her hands. Bowie himself performs in the video dressed in robes that some say are intended to evoke a Jesus-Christ-like figure; I can’t say I disagree with that assessment. The video features actor Gary Oldman playing a priest and was directed by Floria Sigismondi. YouTube briefly pulled it due to the “explicitness,” but it’s been restored and can be viewed at this link.

What can one say? Aside from that which seems so obvious; i.e., that this is exceedingly boring territory. Attacking Roman Catholic clergy for sexual sins and hypocrisy is hardly groundbreaking stuff in 2013. Is David Bowie feeling so oppressed that he just had to make this kind of statement? The Roman Catholic Church, and Christianity generally, is waning to such a degree in Bowie’s native Europe that this seems an egregious case of kicking someone when they’re down. However, I think that one will notice, when observing mobs, that kicking someone when they’re down is a kind of primal urge that many people feel helpless to resist. Continue reading ““The Next Day” – David Bowie Video Controversy”

Freedom Tower Spire Takes its Place in the New York Skyline

The Cinch Review

Freedom Tower SpireIt’s been a long time coming, but it’s there now, nearly twelve years after the September 11th attacks which brought down the Twin Towers. Watching the spire put into place, it’s a reminder that this is how big things are achieved: metal on metal, on concrete, on bedrock, time after time after time. It is difficult and dangerous work and it is an amazing effort of vision and will and strength on the part of so many people. It’s hard to build big buildings. The people who took the World Trade Center towers down could not have erected them in a thousand years. To destroy these American buildings, they had to use American jetliners, cutting people’s throats with blades to take control of them. That defines where such people stand and what they stand for. If they can, they ought to change their hearts and their minds and look to create and to foster life, instead of destroying and killing in the name of their death cult. Meanwhile, in a clearly tangible answer to their hatred, the skyscraper goes up in place of the one they brought down, all 1776 feet of it, the tallest building in the western hemisphere today. Continue reading “Freedom Tower Spire Takes its Place in the New York Skyline”

Something’s Burning, Baby – Bob Dylan

The Cinch Review

Something's Burning Baby, by Bob Dylan
Happy Easter, again! Today, May 5th, was Easter Sunday for those Christians following the Eastern Orthodox calendar (a not inconsiderable number).

Reaching around in the muck of my memory for a song to reference in celebration of this fact, I thought about the big concepts of Easter, and thought of various songs about “rising again” and the like, but it was only when I thought of the rolling away of the stone that I thought of a song that piqued my own interest, because it is a song that is relatively-little-known but looms large in my own recollection, for one reason or another. Actually for a really simple reason: the song, “Something’s Burning, Baby,” was released on the album Empire Burlesque, in 1985. It was the first album that Bob Dylan released after I had become a fan of Bob Dylan, which I did in the 1983/84 time period, at the age of sixteen. So when Empire Burlesque was released in 1985, I think it felt for me kind of like what Highway 61 Revisited must have felt like for people who were Dylan fans back then. I recall an intense feeling of anticipation in advance of the release date, and a sense of wondering: “How is Bob going to blow my mind anew with this one?” To many, this will seem comical, since mid-80s Dylan is commonly mocked—as it was then—but that didn’t (and doesn’t) matter. To me, it was 1965, and every new song from Bob could not but be a dramatic revelation, a brand-spanking-new tablet carried down from the mountain.

People tend to remember fondly the pop-music they listened to during their teen years, their coming-of-age years. It’s a distorted magnifier, associating the music with their biological intensity of feeling during that time. There are those people—very many, in my perception—who essentially stop listening to popular music in any engaged fashion after that period, and it then becomes only a matter of nostalgia. Oblivious to anything else, if they happen hear a track from their youth (by Depeche Mode, the Cure, Journey, take your pick) they suddenly become enormously animated, singing along and gesturing wildly, as if everyone present ought to appreciate how wonderful that song is. Continue reading “Something’s Burning, Baby – Bob Dylan”

Suicidal Trends in the U.S.

The Cinch Review

Suicidal Trends in the United StatesTwo stories emerged simultaneously in the news, seemingly contradictory.

One story is on new numbers from the Centers for Disease Control and Prevention, showing a big increase in the suicide rate in the United States, in data covering the years 1999 through 2010. Suicide now claims more lives than automobile-related accidents in America; 38,364 suicides in 2010 versus 33,687 from car crashes and the like. Among Americans between the ages of 35 and 64, the suicide rate increased by almost 30%. And the experts say that these numbers are actually lower than the real ones; suicide is considered to be “vastly underreported.” The article to which I linked cites factors including the economic downturn and wider availability in recent years of opioid drugs which can be used to commit suicide, as well as social pressures special to this era.

Then there’s the other story: Researchers at Johns Hopkins University have concluded that most people who are treated for depression in the United States have not actually met the criteria for the condition (which include a “debilitating loss of interest in daily life and a depressed mood lasting at least two weeks”). Nevertheless, most people who are treated for depression—whether they’ve met the criteria or not—are treated with antidepressant medications. Even if you’ve never encountered these medications personally and read the enclosed side-effects, the odds are that you’ve seen the commercials and heard the warnings about how they might cause “suicidal-thoughts,” amongst other lesser horrors, while the images of smiling, happy people gamboling in the sun continue to run on the screen. Continue reading “Suicidal Trends in the U.S.”

George Jones, Now Resting in Peace

George Jones

George Jones, Rest in Peace
George Jones is reported to have died, at the age of 81, after being hospitalized in Nashville with a high fever and irregular blood pressure.

He had a life that was full—at times far too full, which makes it such a blessing that he lasted this long—yet there’s something unusually sad about the news of his loss for me today, and I’m sure for countless others. We’re commonly told of how so many people are irreplaceable, and no doubt everyone is irreplaceable, but George Jones must then count as being exceptionally irreplaceable. I wasn’t much of a fan of his as a young lad, but grew to deeply love his music in recent years. His ability to wring so many spoonfuls of nuance out of the singing of a single syllable … the peerless way in which he expressed vulnerability, pain, and hopeless love. And, then, the way at other times he could be a supreme hoot. Continue reading “George Jones, Now Resting in Peace”

The King of Love My Shepherd Is

The Cinch Review

Psalm 23 - The King of Love My Shepherd IsToday was what is known as “Good Shepherd Sunday” in many Christian churches, the appointed psalm being Psalm 23, and the gospel from John, chapter 10. And the second reading one may have heard, from Revelation, chapter 7, has this:

For the Lamb in the midst of the throne will be their shepherd, and he will guide them to springs of living water; and God will wipe away every tear from their eyes.

It’s natural to focus on the promise of every tear being wiped away, which is that which we all long for, but the image of the Lamb being the shepherd is such a beautiful and mysterious and imponderable thing, and all the more worth pondering for that. Continue reading “The King of Love My Shepherd Is”

Questions Avoided and Answers Evaded

The Cinch Review

Boston marathon bombings - avoided questions and evaded answers
I don’t personally watch very much television, and essentially zero television news. Like many others these days, I suppose, I largely read about the news that interests me on the internet. Yesterday was an exception, albeit that the television news broadcasts I was watching came via the internet, consisting of local Boston coverage of the pursuit of the marathon bomber(s). The tone of what I was watching fairly shocked me, the more so as the day went on. I know that political correctness is a very powerful force, but I would have thought that given the gravity and drama of what was going down, it would be superseded by a more fundamental journalistic drive to get at the truth. In this I was naïve.

The syndrome at work was epitomized by an interview I saw take place with some casual friends of 19-year-old Dzhokhar Tsarnaev at UMass Dartmouth. They regularly played soccer with him, and, as with seemingly the great majority of his acquaintances, they had only benign things to say about him. The reporter interviewing them (I think it was WBZ but I couldn’t swear) was naturally enough trying to dig up anything that might have indicated that the younger Tsarnaev was capable of setting bombs to kill random innocent people. She was coming up empty in terms of his general demeanor. People seemed to find him likeable, if quiet. So, she asked: “Did he ever talk about politics?” She got a negative response. The interview went on a little bit, and then she asked the same question: “Did he ever talk about politics to you?” The same answer came back: no, he did not seem very concerned about political issues. The interview continued, with more on his general behavior and school-related activities. Then (as I recall it) she asked yet another time: “Did he ever talk about politics?” It got the same answer from his soccer-playing acquaintances as before: no, he did not. Asking the same question three times seemed kind of silly, but the really crowningly-silly thing was the avoidance of asking a fairly similar question that surely was crying out to be asked, given the circumstances. That would have been: “Did he ever talk about religion, about Islam?” Despite the knowledge at this point that he was a Muslim from Chechnya, where an Islamist insurgency has been active for years, and despite the knowledge already being disseminated elsewhere regarding various internet postings by him and his older brother indicating their favor for extreme Islamic ideas, a simple question to his friends about whether he discussed religion with them was seemingly off-limits. I have no idea what their answer would have been—whether he kept that aspect of himself private or not—but surely the question begged to be asked. Asking about “politics” over and over again was, I think, the reporter’s attempt to ask it without actually using the relevant word, as if some kind of crime would be committed by the mere suggestion from her that religious ideas might possibly have played a role in the violent terroristic actions of two young Muslim men. Continue reading “Questions Avoided and Answers Evaded”

Bob Dylan, James Taylor, Don McLean, Joni Mitchell: Anti-Communist Agents?

Dylan Taylor Mitchell Anti-Communist Agents

Dylan, Taylor, McLean, Mitchell, anti-communist agents
Of all the stories that could potentially be generated from the millions of secret documents recently released by Wikileaks, this one seems to be getting the most attention today. In 1975, in a memo to Washington and the Kissinger-led U.S. State Department, the then-U.S. Ambassador to Russia, Walter Stoessel Jr., suggested that various top musical acts should be entreated to tour in the Soviet Union, apparently with the ultimate goal of weakening the communist system. Names he mentioned included Bob Dylan, James Taylor, Don McLean, Joni Mitchell, Neil Young, Crosby Stills & Nash, Carly Simon and Carole King. One’s initial reaction has to be that it seems a curious group to be approached to undermine communism in the U.S.S.R., as some would have argued that (at least) one or two on that list were promoting the same thing at home in the U.S.A.. Continue reading “Bob Dylan, James Taylor, Don McLean, Joni Mitchell: Anti-Communist Agents?”

Gwahoddiad – I Hear Thy Welcome Voice – Arglwydd Dyma Fi

Today is Good Friday—at least for those observing the liturgical calendar followed by most Christians in the western hemisphere. It is a Christian holy day, but not a U.S. federal holiday, nor a New York State holiday, and yet, curiously, Wall Street—the New York Stock Exchange—is closed today. It’s been closed on Good Friday as a rule since its inception. Hard-nosed capitalists or no, it seems that no one has had the gumption to break that particular precedent. Well, deference to much of anything being in such short supply, I think one can only applaud it when one sees it.

My purpose today, however, is just to reflect a little on a song. I think it might be described as a Good Friday kind of song, and it’s a song I’ve grown to love, although a few months ago I had not even heard of it.

Accounts tell us that in 1872, an American Methodist minister named Lewis Hartsough wrote the lyric and the tune, during the course of a revival meeting in Iowa. The song become known by its first line: “I hear thy welcome voice.”

Yet, I’ve never heard the song sung in English, and I would guess not all that many people have.

The song was noticed not long after its first publishing by a Welsh Methodist minister named John Roberts (also known by his poetic name of Ieuan Gwyllt). He translated the song into Welsh, and I guess you could say that from there it went viral. (This being the age before antibiotics, perhaps back then they would’ve said that it went bacterial.) It quickly became a deeply beloved hymn of the Welsh, such that many presume that it has been Welsh all along. Continue reading “Gwahoddiad – I Hear Thy Welcome Voice – Arglwydd Dyma Fi”

Executed Infants

The Cinch Review

As hardened as we may be to the most grotesque news these days, I’d wager that there are not many people who didn’t pause in special horror at the story of a mugger in Georgia who last Thursday demanded money from a woman pushing a stroller, and, when she didn’t cooperate, went and shot her 13-month old baby boy in the face, killing him. The 17-year old suspect was indicted today, along with an alleged accomplice who is 15 years of age.

I wonder if I’m the only one—though I bet I’m not—who found in the timing of this particular obscene crime a gruesome echo of crimes being detailed in a trial currently taking place in Philadelphia. There, a man named Kermit Gosnell is charged with the murder of a 41-year old woman and seven infants. The trial is not getting a whole lot of publicity. The defendant is not as interesting as, say, Amanda Knox; the killings were not committed with an AR-15 rifle; and the actual events took place some years ago now. Kermit Gosnell is a doctor, who ran an abortion clinic in the city of Philadelphia where, by all accounts, most of the desperate women who came to see him were treated worse than animals, and where late-term babies were routinely induced to premature birth, so that shortly after they saw their first light and took their first breaths their spines could be severed by shears. I guess it was the easiest way of doing business. The clinic was uninspected for about 17 years, enabling the abbatoir-like conditions to flourish. Though, of-course, it is more than just a lack of official inspections that allows something like this to go on, in our great and so-civilized society. Continue reading “Executed Infants”

Wade in the Water

The Cinch Review

Wade in the WaterTomorrow evening marks the beginning of Passover, and today was Palm Sunday and the kick-off of Holy Week for many Christians like myself (although for those observing the Eastern Orthodox calendar, Palm Sunday will arrive very much later on April 28th). So I take this opportunity to wish happy holidays and observances to all, and may God have mercy on every one of us.

In the spirit of thinking of songs that in a certain sense span the Judeo/Christian story, I happened to think of “Wade in the Water” today. It is of-course a famous Negro spiritual, and has been performed too many times by too many people in too many variations to even begin a litany. I love the song for its mysteriousness. I guess the one fundamental observation that can be made about it is that it blends the story of the Israelites crossing the Red Sea with the Christian belief in baptism by water. The chorus (which is the one thing that is consistent amongst the many versions) goes: Continue reading “Wade in the Water”